Kipple, Carvings and Crosses.
Today I had my exhibition at Nesoddparken!
I was very surprised at how many came and that some braved the Norwegian seas and came over from Oslo. I set up a table so children could make their own kipple and that was also very successful!
I got a lot of nice comments and people seemed to like it a lot
Guri Guri Henriksen and team put on a fantastic shadow theatre show in the “project room” that was extremely well received, we had a class from the local school visiting the artists studios, and attending a painting course… Today Nesodparken felt just like Portsmouth Art College circa 1983!!!
Special thanks to Mark Steiner who did all the fiddly Facebook event stuff, and certainly contributed to the attendance, and also Trine Brandeggen who helped me organise and mount the stuff on Friday, and finally my lovely wife Hilde, who puts up with Kipple on a daily basis…
The exhibition is now showing for nearly a month, and a Sunday visit is recommended due to open café, and various events!
Reminder, (nearly) EVERYTHING is for sale, just sms me, on the number on the price-list and stick a little heart shaped sticker on the one you want, thus “bagging” it.
For editing the OSC codes for the touchOSC interface with missing link box
Heres the official
But just in case Ill just put this here:
After successfully burning the software to the ARM chip on the clouds module I thought Id better collect all the instructions down in one place. I still havent gotten Braids to work, but Im not deterred, Id still like to make Frames, Grids, Edges and.. er that new morphing modulator one.. forgotten..
Anyway here it is…
Go to the MI git repository at https://github.com/pichenettes/eurorack
and click DOWNLOAD zip (you unless you know what you are doing with github, which I don’t)
This folder is your MASTER directory for MI building. it is called:
In it you will see, loose a file called
In order to run vagrant your computer must be able to see that file, that means navigating to this folder via Terminal.
Starting Vagrant (these instructions copied from https://github.com/pichenettes/mutable-dev-environment)
Hard to describe how to do this without knowing where you have saved your folder. But you need some knowledge of command line navigation. Either:
you know it
You go to https://wwwcodecademy.com/ and take the Learn the Command Line course (recommended)
wing it… heres some hints
Command line 101
ls to show a list of files and/or directory that are in the current directory
cd to change directory so
cd documents will put you in the documents folder, then you can run another
ls and see what the contents there are. hopefully, you saved the mutable stuff there, and all you need to do is
cd mutable-dev-environment-master and you are in the right place
cd.. to go up one level, just incase you go in the wrong folder
Type the terminal command to start up Vagrant. That is:
The first time the VM is started, all tools will be downloaded, and the latest version of the code will be grabbed from github. The process takes about 15 minutes, depending on the speed of your internet connection or computer.
Then login to Vagrant (again in the terminal, NEVER in the black terminal lookalike window that Virtual box throws up, was a mistake of mine)Type:
You then need to change a few lines in one file, this is to tell it to upload via StLink (I think)
So look in the main eurorack-modules folder,
open the stmlib folder
Then try to open makefile.inc
You probably need to use a very simple text editor, like Text Edit. But it wont recognise the filetype .inc but will open.
The relevant lines should look like this (ignore those starting with #, they are just comments):
# Supported: arm-usb-ocd, arm-usb-ocd-h, arm-usb-tiny-h, stlink-v2
# PGM_INTERFACE ?= arm-usb-ocd-h
PGM_INTERFACE = stlink-v2
# hla for stlink-v2 ; jtag otherwise
# PGM_INTERFACE_TYPE ?= jtag
PGM_INTERFACE_TYPE = hla
Leave no spaces at the end of lines
Now back in terminal
You can begin to build things
Do these one at a time.
to clean the area reserved for the bootloader
make -f clouds/bootloader/makefile clean
to clean the area reserved for the software
make -f clouds/makefile clean
to build the bootloader
make -f clouds/bootloader/makefile hex
to build the software
make -f clouds/makefile hex
That should be it, but there’s an option to do both at once.. not sure if it worked for me
to upload both in one package to the chip
make -f clouds/makefile upload_combo_jtag
Also found in the make file..
make -f clouds/makefile upload_combo_jtag_erase_first
something gbiz suggested when trying to get Braids to work…
openocd -f interface/stlink-v2.cfg -f target/stm32f1x_stlink.cfg -c init -c halt -c "flash write_bank 0 build/braids/braids_bootloader_combo.bin 0x0"
“It’s most of the command that make runs to flash the binary, less a couple of configure options. I doubt it’ll help, but it’s worth a try.”
and I dont think it did…
Well here’s a gig Id totally forgotten! I was obviously enjoying this one alot, judging by the playing Lilies from the audience and pretty much trashing my guitar during Adrift! It always happened that if I loved a show, you can be sure that Jim hated it, as can be proven when Ali says “this is the last song”, Jim can be clearly heard muttering “…ever!”
And heres the “trashing bit” from Adrift… what a fucking guitar hero!
God I miss it…
I’m rather enjoying doing voice over for things. I didnt get the MAIN spooky job here, just the kind of “explainer” voice, but it was still fun! Must have been ok because they made their goal within 5 hours!
I have been working on the Wooden people a lot recently, due to having had my knee operation. The people are all but finished, just need to make their boxes. Of course, everything “mark-ish has to come in a box. This tim I might make it that the people CAN be removed from the box. Not sure exactly what they will look like, But Im thinking simple wooden and stain wood, with doors, small windows, where you can “see through” to the faces maybe? Also IM investigating the technique of Laser cutting so i can maybe burn lots of text onto the outside… This is a secret though..
I have gotten myself a studio at Nesoddparken. Its a amazing room, in fact a bit too amazing, hoping for a cheaper one when one comes up… somewhat annoying that no sooner have I moved in, than I have to got to hospital for my knee operation. Darn it!
I wonder if I can get a new career as a “Creepy Narrator”?
… oh wait… I did already!
OK well I finally bought Elite Dangerous.
The long awaited re-make of the famed game that I was hooked on the Spectrum and obsessed with on the Amiga.
Basically the whole of Wings of Joy was recorded with Elite in the background.
James and I had pages and pages of notes of share-prices of what slaves cost on Sol in comparison to Bernards Star.
The new one.. is difficult. But I remember the original had a bit of a learning curve too, I remember the docking computer was the most important item to buy right from the start. And sure enough I have been crashing around on the launch pads in E-D trying to line up correctly. All the reviews say I need a Joystick, but I refuse to buy some specialist hardware just to play a game (Except perhaps occulas?).
I must say that the intro is terrible, what game, after downloading basically FORCES you to go off and watch 11 YouTube videos.
I think an interactive tutorial is basically a necessity with a game as complex as this, some kind of ramping up of needs and functions. Oh Sure… there are about 10 tutorial missions, but due to the multifarious ways you can configure your whole keyboard (Yes almost every key does something) they can’t say, “PRESS I FOR INVENTORY” Its “PRESS the key you have mapped to left screen UI focus” Phew…
Plus there are a few things that don’t seem to be explained at all! Oh sure, they are explained on fan-made youtube tutorials, and I have spent about 60% in youtube compared to 40% in game…
…but the graphics are great… not TOO great.. they still run on my machine, an old and clunky mac. Im happy with that, and the rumour is that due to the procedural mapping and planet creation method, one day… the dream of the old versions will happen… we will be able to fly down to planet surfaces. YAY!
So… Im diving, tentatively, in… I did a little quest, I shot down ONE bad guy, got thanked by the federation… got blown up by another, lost a contact when he said “follow my trial” (didn’t know what THAT meant) and spent a lot of time trying to fly around a sun, cos my target was on the other side… no idea how to do that.. an hour with my finger on W did nothing as far as I could see.
But slightly looking forward to it all becoming clear… I loved this game as a kid, maybe it will light a spark again?
I played 3 new games this week, well one wasnt so new… not for me.
Lets see how I liked them?
Dreamfall Chapters – Red Thread Games
Been meaning to play for a while. HAVE NOT played any of the others. I know they are well loved, and highly lauded. And I would very much do all I can to support the company, having broken away from FunCom to do their own thing.
But sorry, this is horrible. Ill push on, but the endless cutscenes, listening to this annoying Im so cool girl… I just dont get the fuss… Its getting more interesting now that Im suddenly in a prison, and no sight of the girl, but then I got stuck as the game is really just a pixel hunt.. find the hotspot kinda game
Very Interesting, shot on VHS video, Made in Portsmouth. Its 100 Police interview tapes… kind of a whodunnit, not really a game apart from the annoying ket words thing, (you have to enter key words to find the clips, but if you dont know a keyword, you cant play it) but wow.. who’ed a thought this would work? Ive talked about fragment storytelling in regards to my own game TRUTH, but this was proof of concept for me… Ill just mention, the timed entry of the chat box… changed the whole thing for me.. was about to quit… but didnt.
But ok… got a bit boring after a while, and.. it is just police tapes, no resolution… id have liked a resolution…or dare I say it… a twist?
Not quite as beautiful as Journey (just as sandy though) but more “game”.. just enough jumping and jet packing, just enough clue hunting, and nice voice acting (for a change), intriguing and exiting and fun and everything a game should be for me…
Wonderfull.. My favourite game in ages..
More Vectr. This time a bit noisier. Basic patch is x controlling VCO1 and Y controlling VCO 2, but this time i have both VCOs going into a VCA where the volume level is controlled by Z (or proximity to the screen) So I can fade in sounds by moving hand closer or further away.
The cool thing is that when you record, the Z is recorded too.
Z is a bit different to the other axis because it has a slow fade down, so it can be used as a manual ADSR.
Here I am demonstrating the time quantising on the Vectr. Recorded live on the night of the Summer Solstice. Not that I care two hoots about that.
Roland D2 (drums) sending midi to Futurelabs Mobius, which is sending clock to Mutable Instruments Grids. 2 channels are sending triggers to a Frequency Central SystemX ADSR and a Frac rack Paia ADSR. A Doepfer A110 VCO and a Blacet F350 Morphing terranium have their pitch affected by the X and Y outs from Vectr, which is synched via its REC in socket to a Deopfer Clock Divider, which is receiving clock from Mobius.
The out from the A110 is going thru a Frequency Central Raging Bull Filter/VCA, which is modulated by the aforementioned SysX ADSR. That out is sent to desk. The F350 out is going through the PAIA ADSR and sent to desk. One more thing, the Morph X input of the F350 is receiving stepped voltages from the very wonderful Blacet Binary Zone, that is also clocked from Mobius.
Pretty simple really…
The backers of Antagonist Games received a demo of the start of their Kickstarter, Through the Woods this week.
Finally the mac version became available and I was eager to try it. As previously posted, I was dismayed but resigned to the fact that 2 games are being made that step hugely into the area to The Road Up to Hell, so, as before I will write this review as both a huge fan and friend of the Antagonist guys, but tinge it with some slightly tongue in cheek “sour grapes”
Firstly I must say that my poor mac was not nearly man enough to handle the game, I hope they can optimise it a bit later, for the final product. I had to reduce the graphics to LOW just to get it to run. I must admit that I have had similar problems in TRUTH, but seem to have succeeded a little better than Antagonist, now I can only really improve my game by getting the pro version of Unity, which I can not hope to afford any time soon. I can feel in the lag that they are doing something, the frame rate drops when approaching buildings and the non torch view seemed sluggish, I suspect the post effects, but sitting and waiting for a second seemed to help, which makes no sense, its not YouTube… but I could get through, so I tried to ignore this, but for some reason you get a really stuff wrist from it…
To the game itself. The voiceover, being a post story interview with a Psychiatrist, was pure genius! And for a change the voice acting wasn’t bad. The recording was well done with the Shrinks voice being a little “off mike”. The accent of the Mother was also quite spot on, as Norwegians speaking English often get this really weird tinge of American to their voice, but IM pretty sure she WAS norsk.
It starts slow, which I like and the sound effects are good, I wish they were louder to be honest, the voice comes in so loud in comparison. Also, its NOT that quiet in the woods, and silence doesnt seem scary to me, its calming.. a more dense and compressed sound picture would have been better IMHO.
The idea that the kid had an endless supply of reflectors that guide you was a bit far fetched to me, but who cares, I can hardly say that shining magical deer that lead you to weird spiky hills with telescopes on top is exactly realistic (A spoiler from my game) and kids DO collect all kinds of shit in their pockets.So Ill accept that… But I thought they missed an opportunity here, if the trail had been a trail of stuff her kid dropped, she could have picked them up and used them, so it would have been like the kid was “helping”. I know it doesn’t work with Antagonists UI model (as in, there ISNT ONE) but it didn’t need to be like TRUTH with an inventory and interface, it could just have been, “I used the yoyo string on the door handle”. But I guess they are determined to stick to their “Amnesia” template (no wait.. theres a inventory there too).. Their template.. and not deal with.. “oh no I have to go all the way back and fetch the yoyo” issues…
The modelling was pretty generic… The houses felt similar to some asset store packs I have and IM not sure but they definitely used the same environment packs as me , I obviously have no problem with doing that, but it did make it look very similar to mine in places. The terrain texturing was very poor however, although this might have been as a result of my low low settings… but I spent alot of time tweaking (without knowing what the hell I was doing) the terrain shader, to use normal maps and that helped alot. There were also terrible bush billboards, which rotated to face me while I was very close, again, probably my settings, but lavender? Never seen lavender in a Norwegian Wood.
The atmosphere built quite nicely, and I had no problem with the door open fails, Im sure I would have enjoyed exploring more if it wasn’t for the frame rate. I lost my way a couple of times and found myself going back down the path the wrong way, an audible hint might have been fun here… its a very linear game after all, so a variable trigger with a voiceover.. ” I retraced my steps a little to see if I had missed something” would have been possible, but too many of them would get generic, maybe?
The moment when the door shut behind you and she screamed, well the scream was a bit too much at that stage… I would have preferred a muttered “oh my god”.
But then the (Spoiler Alert) Troll attack. funnily enough on my first play through it worked fantastically… For some reason, the growling and a clear path encouraged me to run, so without even getting a glimpse of the troll I ran into the cave, stopped, turned around, and jumped out of my skin as the Troll was there and dropped a stone on the entrance. FANTASTIC!!! What a brilliant thing… I didn’t get a too good look too early (Amnesia keeps you from seeing the monster for ages, soon as you do, funs over) and it was a jump scare, but now I could only go on… but I didn’t…heh heh… being a geek, I quit and started again… but unfortunately the next time I got to that bit of the wood I hung a round looking for the Troll… and there it was lumbering towards me, and thwack.. dead… spawn. Meh… was more fun the previous time… But how could they have done that? Force MY first experience? Easy!…well simply NOT spawned the Troll till I was in the cave, forced me so stop.. fall over for example, look around, Troll feet, Rock BLAM darkness… eyes adjust to cave… torch on again… LEVEL TWO.. but seeing the troll so clearly was less scary and more… “ok here comes the game”.
On the whole was was quite impressed with my own game, TRUTH looks better, plays better, and will have much more things to do, but is lacking the strong normal “story” that Through the Woods has, very strong, very usable and makes me very keen to play the rest. Of course my game is a totally different thing with my proposed multi player storywriting feature, and less obvious, but weirder locations.
But this is just the start scene, an I have a good feeling that Through the Woods is going to be a great game!
very much looking forward to playing
So go and back them now…