I have always been interested in Live Visuals. from the good old Uncle Ian days, where we projected films and used video monitors with the “singer” on. We had partys where we covered the walls with Super 8 projections. At one time in Portsmouth I was regularly projecting across the road onto the white house opposite. My end of term dissertation at Portsmouth Art College was on synesthesia, the art form that attempts to fuse audio and video into a whole. (not the ability to smell Blue and see G-sharp, that’s madness!).
More recently I have played “live” over the internet using the Furthernoise.org tool called Visitors Studio, and experimented with Jitter, Modul8, Resolume and Quartz Composer.
I have the original “Expanded Cinema” book by Gene Youngblood, and it is still my bible in a way, especially the naive optimism that “tuned in and turned on” freaks had about the future.
Anyway, this is just a short introduction to a collection of posts that are documenting my re-awakened interest in producing Live Visuals, specifically linked or generated by music.
Having a lot of fun with this now.
The rendering takes forever though. This film, called Islamicfly took 4 days to render.
But now I have my PC set up as well, I can render on both! Its pretty clever, as long as both machines can see the same network folder, they dont over write each others files, so Im rendering a png sequence and depth matte (forgot that on the above film) and each computer tackle alternate frames.
This is the movie I made to show behind me play in Santa Cruz in 2010. For some reason I had not posted it on my site before now.
Its silent, I made it in After Effects, its basically 2 layers of random textures, lots of found footage and scratchy film, that are combined using a mask of a 3rd and rather flickery layer. (For some reason its showing 4:3 here. Its not, its 16:9… but who cares really?
A very poor video of my small effort at Projection Mapping the Opera in Oslo.
It was the culmination of a course by JOANIE LEMERCIER of Anti VJ.
It was -11 degrees on the top of the Opera at Midnight.
The course was very inspiring and it was very nice to meet so many talented and creative people. Hopefully some of them took better video and pictures than me, so I hope I can post some more later. Im terrible with names, but Ill just wanted to shout out to: The guy with the 3D Norwegian knitting Pattern, the guy with the Kinect, the guy wit the distorted and cut-up female face film, and the guy with the Black & White flash movie.
The course taught me that Cinema 4D is worth looking into, and one HUGE fact.. that Flash files can now be imported into After Effects… never knew that… obvious, it being all CS now.. but.. just didnt know… Very VERY usefull!
My raw film was this…
The first half was trying to work with the elements from the architectural feature we were working with, and the second half was just a messy grungy collage, I just wanted to grunge up the Opera building a bit, as its pretty much the symbol of the Oslo Elite. Its pretty impressive I must say, as in big…but anything BIG is impressive right?
Really.. its a hideous eyesore isnt it.. come on.. really!
Ive been playing around in Blender, kinda hoping its a good enough (for my needs) replacement for Maya. The key words being the ones in brackets. Obviously Im not gonna make Lord of the Rings in it, so.
First impressions are pretty good, most of the controls can be set to emulate Maya, which is less of a struggle, and a quick press of the render button did this.
OK. Its ONE cube, replicated with 3 instances of the array modifier, and 3 lights. the camera was pretty randomly zoomed about and I must say I actually like the built in over shoots and easing, which is VERY rare. In Maya 3 D Max and After Effects the auto easing is horrible. Now serious people with serious 3D jobs probably hate this.. Grr a free program, Mine cos 20,000 (thats NOK) but honestly, If I cant see what the program can do, Ill never use it!!!
Anyway, a few more tutotrials need to be watched (blendtuts.com) and then Ill try modelling a.. well.. um… a thing!
Anyway, Maya doesnt work on my machine anymore, so.. thats the real reason…
Spent the evening playing with the replicator in Quartz..
Both of these are made by starting with a simple shape, replicating that shape many times and adding offsets, that are controlled via LFO’s. At the end of a few sets of 3DReplicators I have a 3DTransformer, just to add the spin.
Sphere Replicator This one started with a sphere, the LFO settings are changing the size of the spheres and controlling the offsets and origin transforms. I think this one is a bit too reminiscent of lots of old 80s techno graphics. Not UN-usable I like it when it becomes like snake-skin or like internal organs.
(Takes a while to appear, hence black at start) Starting from a cube where all the edges of the cube are modified via LFOs and then replicated in the same way as above. I like this one as it quite exotic and can go from spiny growths to huge fan like objects.
Both of these are never repeating in the quartz patches, here of course these videos are just showing the first few minutes. My next goal with these os to expose some of the most relevant settings so that they can be modified out of the program, in Resolume. Have them react to sound and midi clock/notes.
(If I get around to it, Ill edit these a bit and add some music…)
Today I sent a UStream of the set by Jon Hegre and Greg Pope, and then Xavier Querel. At ANX in Oslo.
Greg Pope has two projectors with black leader film. As he runs them he attacks the loops with various implements, the sound from the hits is amplified as it the sound that he creates by accidentaly scratching the optical audio track from the film. The piece ends when the film is scratched completely white. The whole sound is mixes, looped and effected by Job Hegre.
Then later a set from Xavier Querel, who uses the projector in another way. He first runs the projector and csts shadows of it on teh screen, then he plays film the wrong way (at the audience) and onto a tiny screen, and then manipulates the film till it gets stuck and burns, he controls the burning by adjusting the lamp, so it doesnt happen too quickely. Just when you think its all over he works with teh pure white of the projector and lights the whole room, via a mirror. The beam is interupted with lenses and mirrors and the projections are cast in all directions. Working out side the projector, then inside a tiney screen then back out again.
Unfortunately my iPhone ran out of batteries soon after it started.
I went to Ilan Katins show at ANX.
Last week, he gave his introduction standing behind a muslin screen, the projection then was very 3 dimensional. But for his piece today he went all out with.. damn I forgot to count them, maybe 20 screens, one in front of another… Really nice. Heres some iPhone films.