For editing the OSC codes for the touchOSC interface with missing link box
Heres the official
But just in case Ill just put this here:
After successfully burning the software to the ARM chip on the clouds module I thought Id better collect all the instructions down in one place. I still havent gotten Braids to work, but Im not deterred, Id still like to make Frames, Grids, Edges and.. er that new morphing modulator one.. forgotten..
Anyway here it is…
Go to the MI git repository at https://github.com/pichenettes/eurorack
and click DOWNLOAD zip (you unless you know what you are doing with github, which I don’t)
This folder is your MASTER directory for MI building. it is called:
In it you will see, loose a file called
In order to run vagrant your computer must be able to see that file, that means navigating to this folder via Terminal.
Starting Vagrant (these instructions copied from https://github.com/pichenettes/mutable-dev-environment)
Hard to describe how to do this without knowing where you have saved your folder. But you need some knowledge of command line navigation. Either:
you know it
You go to https://wwwcodecademy.com/ and take the Learn the Command Line course (recommended)
wing it… heres some hints
Command line 101
ls to show a list of files and/or directory that are in the current directory
cd to change directory so
cd documents will put you in the documents folder, then you can run another
ls and see what the contents there are. hopefully, you saved the mutable stuff there, and all you need to do is
cd mutable-dev-environment-master and you are in the right place
cd.. to go up one level, just incase you go in the wrong folder
Type the terminal command to start up Vagrant. That is:
The first time the VM is started, all tools will be downloaded, and the latest version of the code will be grabbed from github. The process takes about 15 minutes, depending on the speed of your internet connection or computer.
Then login to Vagrant (again in the terminal, NEVER in the black terminal lookalike window that Virtual box throws up, was a mistake of mine)Type:
You then need to change a few lines in one file, this is to tell it to upload via StLink (I think)
So look in the main eurorack-modules folder,
open the stmlib folder
Then try to open makefile.inc
You probably need to use a very simple text editor, like Text Edit. But it wont recognise the filetype .inc but will open.
The relevant lines should look like this (ignore those starting with #, they are just comments):
# Supported: arm-usb-ocd, arm-usb-ocd-h, arm-usb-tiny-h, stlink-v2
# PGM_INTERFACE ?= arm-usb-ocd-h
PGM_INTERFACE = stlink-v2
# hla for stlink-v2 ; jtag otherwise
# PGM_INTERFACE_TYPE ?= jtag
PGM_INTERFACE_TYPE = hla
Leave no spaces at the end of lines
Now back in terminal
You can begin to build things
Do these one at a time.
to clean the area reserved for the bootloader
make -f clouds/bootloader/makefile clean
to clean the area reserved for the software
make -f clouds/makefile clean
to build the bootloader
make -f clouds/bootloader/makefile hex
to build the software
make -f clouds/makefile hex
That should be it, but there’s an option to do both at once.. not sure if it worked for me
to upload both in one package to the chip
make -f clouds/makefile upload_combo_jtag
Also found in the make file..
make -f clouds/makefile upload_combo_jtag_erase_first
something gbiz suggested when trying to get Braids to work…
openocd -f interface/stlink-v2.cfg -f target/stm32f1x_stlink.cfg -c init -c halt -c "flash write_bank 0 build/braids/braids_bootloader_combo.bin 0x0"
“It’s most of the command that make runs to flash the binary, less a couple of configure options. I doubt it’ll help, but it’s worth a try.”
and I dont think it did…
I played 3 new games this week, well one wasnt so new… not for me.
Lets see how I liked them?
Dreamfall Chapters – Red Thread Games
Been meaning to play for a while. HAVE NOT played any of the others. I know they are well loved, and highly lauded. And I would very much do all I can to support the company, having broken away from FunCom to do their own thing.
But sorry, this is horrible. Ill push on, but the endless cutscenes, listening to this annoying Im so cool girl… I just dont get the fuss… Its getting more interesting now that Im suddenly in a prison, and no sight of the girl, but then I got stuck as the game is really just a pixel hunt.. find the hotspot kinda game
Very Interesting, shot on VHS video, Made in Portsmouth. Its 100 Police interview tapes… kind of a whodunnit, not really a game apart from the annoying ket words thing, (you have to enter key words to find the clips, but if you dont know a keyword, you cant play it) but wow.. who’ed a thought this would work? Ive talked about fragment storytelling in regards to my own game TRUTH, but this was proof of concept for me… Ill just mention, the timed entry of the chat box… changed the whole thing for me.. was about to quit… but didnt.
But ok… got a bit boring after a while, and.. it is just police tapes, no resolution… id have liked a resolution…or dare I say it… a twist?
Not quite as beautiful as Journey (just as sandy though) but more “game”.. just enough jumping and jet packing, just enough clue hunting, and nice voice acting (for a change), intriguing and exiting and fun and everything a game should be for me…
Wonderfull.. My favourite game in ages..
More Vectr. This time a bit noisier. Basic patch is x controlling VCO1 and Y controlling VCO 2, but this time i have both VCOs going into a VCA where the volume level is controlled by Z (or proximity to the screen) So I can fade in sounds by moving hand closer or further away.
The cool thing is that when you record, the Z is recorded too.
Z is a bit different to the other axis because it has a slow fade down, so it can be used as a manual ADSR.
The backers of Antagonist Games received a demo of the start of their Kickstarter, Through the Woods this week.
Finally the mac version became available and I was eager to try it. As previously posted, I was dismayed but resigned to the fact that 2 games are being made that step hugely into the area to The Road Up to Hell, so, as before I will write this review as both a huge fan and friend of the Antagonist guys, but tinge it with some slightly tongue in cheek “sour grapes”
Firstly I must say that my poor mac was not nearly man enough to handle the game, I hope they can optimise it a bit later, for the final product. I had to reduce the graphics to LOW just to get it to run. I must admit that I have had similar problems in TRUTH, but seem to have succeeded a little better than Antagonist, now I can only really improve my game by getting the pro version of Unity, which I can not hope to afford any time soon. I can feel in the lag that they are doing something, the frame rate drops when approaching buildings and the non torch view seemed sluggish, I suspect the post effects, but sitting and waiting for a second seemed to help, which makes no sense, its not YouTube… but I could get through, so I tried to ignore this, but for some reason you get a really stuff wrist from it…
To the game itself. The voiceover, being a post story interview with a Psychiatrist, was pure genius! And for a change the voice acting wasn’t bad. The recording was well done with the Shrinks voice being a little “off mike”. The accent of the Mother was also quite spot on, as Norwegians speaking English often get this really weird tinge of American to their voice, but IM pretty sure she WAS norsk.
It starts slow, which I like and the sound effects are good, I wish they were louder to be honest, the voice comes in so loud in comparison. Also, its NOT that quiet in the woods, and silence doesnt seem scary to me, its calming.. a more dense and compressed sound picture would have been better IMHO.
The idea that the kid had an endless supply of reflectors that guide you was a bit far fetched to me, but who cares, I can hardly say that shining magical deer that lead you to weird spiky hills with telescopes on top is exactly realistic (A spoiler from my game) and kids DO collect all kinds of shit in their pockets.So Ill accept that… But I thought they missed an opportunity here, if the trail had been a trail of stuff her kid dropped, she could have picked them up and used them, so it would have been like the kid was “helping”. I know it doesn’t work with Antagonists UI model (as in, there ISNT ONE) but it didn’t need to be like TRUTH with an inventory and interface, it could just have been, “I used the yoyo string on the door handle”. But I guess they are determined to stick to their “Amnesia” template (no wait.. theres a inventory there too).. Their template.. and not deal with.. “oh no I have to go all the way back and fetch the yoyo” issues…
The modelling was pretty generic… The houses felt similar to some asset store packs I have and IM not sure but they definitely used the same environment packs as me , I obviously have no problem with doing that, but it did make it look very similar to mine in places. The terrain texturing was very poor however, although this might have been as a result of my low low settings… but I spent alot of time tweaking (without knowing what the hell I was doing) the terrain shader, to use normal maps and that helped alot. There were also terrible bush billboards, which rotated to face me while I was very close, again, probably my settings, but lavender? Never seen lavender in a Norwegian Wood.
The atmosphere built quite nicely, and I had no problem with the door open fails, Im sure I would have enjoyed exploring more if it wasn’t for the frame rate. I lost my way a couple of times and found myself going back down the path the wrong way, an audible hint might have been fun here… its a very linear game after all, so a variable trigger with a voiceover.. ” I retraced my steps a little to see if I had missed something” would have been possible, but too many of them would get generic, maybe?
The moment when the door shut behind you and she screamed, well the scream was a bit too much at that stage… I would have preferred a muttered “oh my god”.
But then the (Spoiler Alert) Troll attack. funnily enough on my first play through it worked fantastically… For some reason, the growling and a clear path encouraged me to run, so without even getting a glimpse of the troll I ran into the cave, stopped, turned around, and jumped out of my skin as the Troll was there and dropped a stone on the entrance. FANTASTIC!!! What a brilliant thing… I didn’t get a too good look too early (Amnesia keeps you from seeing the monster for ages, soon as you do, funs over) and it was a jump scare, but now I could only go on… but I didn’t…heh heh… being a geek, I quit and started again… but unfortunately the next time I got to that bit of the wood I hung a round looking for the Troll… and there it was lumbering towards me, and thwack.. dead… spawn. Meh… was more fun the previous time… But how could they have done that? Force MY first experience? Easy!…well simply NOT spawned the Troll till I was in the cave, forced me so stop.. fall over for example, look around, Troll feet, Rock BLAM darkness… eyes adjust to cave… torch on again… LEVEL TWO.. but seeing the troll so clearly was less scary and more… “ok here comes the game”.
On the whole was was quite impressed with my own game, TRUTH looks better, plays better, and will have much more things to do, but is lacking the strong normal “story” that Through the Woods has, very strong, very usable and makes me very keen to play the rest. Of course my game is a totally different thing with my proposed multi player storywriting feature, and less obvious, but weirder locations.
But this is just the start scene, an I have a good feeling that Through the Woods is going to be a great game!
very much looking forward to playing
So go and back them now…
Trying out the new V2.0 firmware.
NOTE: Im NOT SAYING ANYONE HERE NICKED ANYTHING… JUST A FIGURE OF SPEECH…
One of the annoying things about trying to develop games on your own and with a day job, is that it takes an unbelievably long time. I get about an hour an evening and less at weekends, and thats shared with my Modular Synth building obsession.
Over the course of the 4 years Ive been doing this, I have yet to release one game (whatever “release” is gonna mean if I actually finish one) Ive never been interested in the tiny “retro” style games that are churned out for mobile or on “Game Jams”. Im always for the BIG IDEAS, and the COMPLEX STORIES.
So when my game “Aunty- A metaphysical Mystery” failed to get funding (twice) from the film fund, and then a game, seemingly with the same idea was anounced, and was bing heralded as “the next big thing” and had millions positively flung at it… Well “sour Grapes” comes to mind.
Of course Im not suggesting for one moment that “Among the Sleep“was a nicked idea from me, my god no… And in the end of course, it turned out to be nothing like Aunty was ever going to be…
However, the annoyance was enough that I dumped the idea, for the moment, I will probably return to it when I have finished T.R.U.T.H.
But there, now I have been working on THAT NEW GAME now for two years, finally there comes along ANOTHER bunch of things that could be called similar! Again from “proper” Norwegian companies, who will no doubt finish their games and get on with their next one, way before Im done with mine.
So baring in mind that my game is…
Set in a remote Norwegian Valley and concerns mysterious strange activities that could be taken from Norsk folk lore, religion, superstitions and experimental science. A FIRST PERSON fragmented mystery, where the goal is to find out for yourself what you think is going on, but never ultimately really understand due to conflicting information and clues, and points of view… Including, A Strange old lady and her missing mentally challenged son, Biblical Prophecies, A secret scientific laboratory, and underground caves and tunnels, a newcomer to the village, where you get the feeling you are always being watched?
In an attempt to NOT get all uppity and pissed of, I instead will use this post to BIG UP my competitors and let them know that far from being annoyed I AM TOTALLY PROUD AND VERY IMPRESSED That Norway has so many cool and exiting games being made, (oh and if you wanna give a 51 year old wannabe a job.. then…)
I do wonder if this “spate” is infact a bit of a reflection of some of the criteria that the NFI use when dealing out money to projects, because during my failed attempt at getting anything from them for Aunty, I do remember a mention of Norwegian Culture and language bing favoured.
The first is “Through the Woods” from Antagonist Games
Through the Woods is a third-person psychological horror game set in a forest on the western shore of Norway about a mother and her missing son. Through dynamic narration, you play the mother’s re-telling of the events surrounding her son’s disappearance in a setting heavily influenced by Norse mythology and Norwegian folk tales.
This looks very cool, quite dark and scary, seems to be a bit more “supernatural” and possibly involving fighting monsters. I met one of the guys from Antagonist, he was very nice about what he had seen of TRUTH, and told me a few home truths about the cash situation they are developing under..
Ha! Kids! How they can live on almost nothing is very endearing..
The next game is from the new darlings of Norway Red Thread Games, who came into the scene with a blast for the latest instalment of The Longest Journey, Dreamfall Chapters. I havent played that one, I didnt like the originals, but their new piece is Draugen And is…
Draugen is a first-person psychological horror adventure, set amongst the deep fjords and towering mountains of Norway’s awe-inspiring west coast.
The game is a dark and disturbing journey into the pitch black heart of Norwegian national romanticism, as seen through the eyes of an American nature photographer, botanist and entomologist.
Inspired by Scandinavian literature, legends and fairytales, along with Norse mythology and the Icelandic sagas, Draugen is set in the early 1920s and delves into the deepest, darkest secrets of a remote fishing community where every single soul has mysteriously vanished.
As the player explores the tiny settlement, gathering clues and memories, and unearthing the truth behind a terrible tragedy, they will learn more about the history of the village and its inhabitants. And they will come to see that behind even the most innocent of facades lurks the potential for malice.
OK great… again looks fantastic, and remember these are the big boys, as they are all ex Funcom dudes, that know what they are doing, bastards! Heres the clip…
But really.. Norway.. mysteries… missing people… ghosts and legends… sigh…
I better pull my finger out…
I just read this interesting article about the Art College in Brighton during the 60’s
Brighton College of Art in the 60’s
And it reminded me alot of my experience at Portsmouth College of Art and then the Fine Art Dept of Portsmouth Polytechnic. I thought it would be nice to write down a few of my memories.
I remember that I was literally the first interviewee in a bunch for my place at Portsmouth College of Art. I was interviewed by Mark Harrington, who was to be one of my first year, foundation lecturers. I still remember him saying ” Well this is good stuff, less of the Roger Dean shit and you´ll be fine… welcome!” And that was it! After a nerve wracking 5 minutes where he just perused my folder of school Art class stuff, I was in!
I relaxed a little at school for the remainder of the year, maybe a little too much?
I arrived, a long haired hippy type, with patched up jumpers and holy (as in with holes) jeans, to be confronted with a bunch of the scariest and most way out looking punks and goths and new romantics. It took a year before my hair became black, and it has stayed dyed ever since… Im 51 now! It was frightening, but totally inspiring! I had NO IDEA (I still dont) what “kind” of Art I should do, and the foundation year was designed for me to find out. A bit of everything, drawing, painting nudes, graphics, printing, plastic, metalwork and photography. I LOVED IT! The only hinderance for me at the time was that I was “commuting” from Petersfield everyday.
By the second year I had moved to Pompey and really took advantage of life as an Art Student. Going to shows, staying till we were thrown out of the video suite or darkrooms (look them up you youngsters).
Im not sure how much talent I ever had (or have actually) but I must say that at Portsmouth I did get the interest to try many things, and that has stayed with me to this day. Not really a good thing really, but maybe. I don’t think Ive ever become really outstanding at anything really, technology always seems to whizz past before I really feel I have done all.. For fuck sake I was experimenting with hand dying film, when video came in, I was faffing with making quicktime VR circular poems, when I should have learned programming… Ja.. Programming thats the one thing I really regret never to have mastered. I mean I cant play guitar, but Ive toured the world in a famous band, I don’t know much about film, but Ive probably directed more actors than anyone in Norway… I don’t understand electronics but I have a pretty huge modular synth that I soldered myself… see a pattern here?
Anyway… I followed a girlfriend into a jewellery course, and loved it… but gave it up after a year, it just wasn’t… arty enough… silly really… I made some lovely rings, by a technique known as fusing, where you don’t really use solder, you just wait till the silver melts, and JUST before it goes BLOB into a runny mess you pull away… twas cool as hell. and to be honest.. I wish I still did that. If I hadn’t twatted about with video feedback, and got hooked on experimental video I would never have had to sit through 6 hour meetings about HSE or HR or…fucking CSR. I wouldn’t know what a company design profile was and I wouldn’t give two hoots about visions and values…
Where was I? Video… yep lots of re-filming off screens, recording buzzing noises, burying TVs in the beach, draping apartments with white sheets and, projecting on houses. Then zippady doo dah, over I pop to the Polytechnic and join the real arty mob in the…
Fine Art department
“Your stuff is too… er slick… Mark”
“It must be all that time doing graphics…!”
while at the same time handing rolls of film to students who came back with black totally underexposed films (“I filmed myself masterbating at four in the morning… I left the lens cap on as a statement about pornography”)
I was stuck between two poles, I was all design-y and pop video-y and yet when I was at the Art College it was all craft, and technique…and there they said I was too weird, didnt stick to the brief…too mess… ahh well…
But it was OK at the Poly, I made a fun film, with lots of holes punched in it, I filmed some melodramatic goths poncing about on a freezing winter West Wittering, and set it all to backwards distorted guitars and techno beats. Ace! Also met James my on and off collaborator for… well… we still dabble now…
Then it was over..
I was out…
not so much as a ” Well there this grant…”
“Heres some place that might show you films if you sent them”
“Have you thought about pop videos”
It was… “Dole Office is down there on the left… let us know when you have a retrospective of your earlier work at Aspex Gallery in Southsea, and we´ll come and drink your wine…”
So it was Bread Pudding and coffee in a cafe in Albert Rd for 2 years discussing “scripts” with James… occasionally rehearsing with this new band I got asked to join… a one off trip to Thailand on a documentary film, taught a bit in a video course of my own devising,
good old John Peel.. may he rest in peace…